Profil użytkownika keith-uhlich
Cloudy With A Chance Of Meatballs: Revenge Of The Leftovers (2013)
It’s only when the sentient snacks are front and center that this middling sequel to the 2009 animated hit truly comes alive.
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Don Jon (2013)
As with many a first feature, Gordon-Levitt’s so-so directorial debut is pumped up with ambition. The early scenes, heavy on caricature, promise to puncture much of the cocky illusions su...
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After Tiller (2013)
This is not a choice made lightly by anyone involved, but the admirable, multilayered toughness of these sequences is unfortunately weakened by the filmmakers’ saccharine touch whenever t...
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Prisoners (2013)
The uniformly showy performances (Acting with a capital ‘A’) are what do in Prisoners more than anything.
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Harry Dean Stanton: Partly Fiction (2012)
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You still leave impressed at the way Stanton fiercely protects the aura of mystery that makes him such an indelible onscreen presence.
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Red Obsession (2013)
Photographed with an alluring sheen that complements the coldly commercial wheelings and dealings of its subjects, Red Obsession fascinatingly reveals how Old World vintner artistry is be...
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Riddick (2013)
Watching this see-in-the-dark muscleman brooding against gorgeous otherworldly vistas, all while crafting pointy homemade weapons and befriending a scene-stealing CGI canine (no joke), is...
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Adore (2013)
You can barely stifle a laugh, and the way Wright and Watts deliver rote, morally searching dialogue with deer-in-the-headlights stoicism (“We’ve crossed a line,” Lil blankly notes) doesn...
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Passion (2012)
This is truly De Palma–ville, and the filmmaker’s remake of Alain Corneau’s tale of corporate bloodletting, "Love Crime" (2010), is a welcome return to the carnal shockers that he does so...
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Planes (2013)
The characters may soar, but viewers’ spirits stay grounded.
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